A transitional film at the end of his first decade of filmmaking, James Benning’s Grand Opera introduces a degree of storytelling to his previously more formalist devices. Benning calls the film his “first attempt at writing my own kind of history” and, in a sense, it also serves to write himself into history, acutely measuring his place as a Midwestern experimental filmmaker, then based in Oklahoma, in relationship to the avant-garde scene situated in New York. The film thus features homages to the prominent experimental cinema of the time, including a spoof of Wavelength, as well as cameos from Michael Snow, Hollis Frampton and Yvonne Rainer. Woven with these sequences are other characteristic Benning gambits – a compilation of every house he ever lived in, a preoccupation with the history of Pi, and the looming threat that a building will explode.

Aurora finds a member of her crime buff group, the Real Murders Club, killed in a manner that eerily resembles the crime the club was about to discuss. As other brutal "copycat" killings follow, Aurora will have to uncover the person behind the terrifying game.

There is excitement in the air when a Hollywood crew comes to Lawrenceton to film a movie about the town’s sleuthy librarian, Aurora Teagarden. However, when the film’s leading lady is found murdered in her dressing room, Aurora enlists her Real Murders Club members to help gather clues. At the same time, she experiences mounting concern that Aida is becoming attracted to the film’s director who, like everyone else working on the set that day, is considered a suspect. And this time around Martin is especially worried about Aurora’s safety after learning that the film’s screenwriter, who has a romantic history with her, emerges as the prime suspect.

Aurora Teagarden is a beautiful young librarian with a passion for solving murders. After an exhaustive search for the perfect home, Aurora finally purchases her dream house, unaware of its murky history. As she prepares to move in, Aurora discovers that the family who once lived there mysteriously disappeared without a trace.

Internet sensation and old family friend of Aurora Teagarden, Poppy Wilson, has returned to Lawrenceton to start her new embroidery business. But not everyone is happy with Poppy's success when she turns up dead. To find the killer, Roe must follow the unsettling truths that lead her—into the path of the killer.

Aurora Teagarden and her boyfriend Martin are thrilled when they get an unexpected visit from his niece and her new baby. Their excitement is short lived when his niece disappears and the baby is left behind. Once again, Aurora finds herself drawn into a deadly investigation as she risks it all to help Martin reunite with his family.

While Aurora "Roe" Teagarden searches for her piece of the American dream, she decides to test the waters of the family business - real estate sales. Only thing is there's a dead body in the first house she shows. When a second body shows up in another home, Roe realizes there's more to real estate than she thought.

A high school girl encounters a rabbit like creature who sends her back in time.

Mystery! is an episodic television series that debuted in 1980 in the USA. It airs on PBS and is produced by WGBH. The show has brought a large number of detective series and television movies—most of them British productions from the BBC or the ITV companies and usually adapted from mystery fiction literary sources—to air on American television. In 2002, they added an American-produced series based on the novels of Tony Hillerman to their roster.

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