A transitional film at the end of his first decade of filmmaking, James Benning’s Grand Opera introduces a degree of storytelling to his previously more formalist devices. Benning calls the film his “first attempt at writing my own kind of history” and, in a sense, it also serves to write himself into history, acutely measuring his place as a Midwestern experimental filmmaker, then based in Oklahoma, in relationship to the avant-garde scene situated in New York. The film thus features homages to the prominent experimental cinema of the time, including a spoof of Wavelength, as well as cameos from Michael Snow, Hollis Frampton and Yvonne Rainer. Woven with these sequences are other characteristic Benning gambits – a compilation of every house he ever lived in, a preoccupation with the history of Pi, and the looming threat that a building will explode.

Aurora finds a member of her crime buff group, the Real Murders Club, killed in a manner that eerily resembles the crime the club was about to discuss. As other brutal "copycat" killings follow, Aurora will have to uncover the person behind the terrifying game.

Aurora finds a member of her crime buff group, the Real Murders Club, killed in a manner that eerily resembles the crime the club was about to discuss. As other brutal "copycat" killings follow, Aurora will have to uncover the person behind the terrifying game.

Archaeologist Emma Fielding is hired to consult on the acquisition of a castle-like estate that local legend states is cursed. But she finds herself in the middle of a murder case after discovering the body of the archaeologist she was hired to shadow in a secret chamber in the bowels of the huge building. Assisted by her friend, FBI special agent Jim Conner, Fielding must sift through clues and a long list of suspects, each of whom has their own reason for wanting the man dead, to determine who is the killer.

There is excitement in the air when a Hollywood crew comes to Lawrenceton to film a movie about the town’s sleuthy librarian, Aurora Teagarden. However, when the film’s leading lady is found murdered in her dressing room, Aurora enlists her Real Murders Club members to help gather clues. At the same time, she experiences mounting concern that Aida is becoming attracted to the film’s director who, like everyone else working on the set that day, is considered a suspect. And this time around Martin is especially worried about Aurora’s safety after learning that the film’s screenwriter, who has a romantic history with her, emerges as the prime suspect.

There is excitement in the air when a Hollywood crew comes to Lawrenceton to film a movie about the town’s sleuthy librarian, Aurora Teagarden. However, when the film’s leading lady is found murdered in her dressing room, Aurora enlists her Real Murders Club members to help gather clues. At the same time, she experiences mounting concern that Aida is becoming attracted to the film’s director who, like everyone else working on the set that day, is considered a suspect. And this time around Martin is especially worried about Aurora’s safety after learning that the film’s screenwriter, who has a romantic history with her, emerges as the prime suspect.

Librarian and real crime buff Aurora “Roe” Teagarden never liked Detective Sergeant Jack Burns, but she also never wanted to see him dead. When his body is found outside of Aurora’s home, she then becomes the main suspect. Determined to find the killer and clear her name, Aurora can't help but to get involved once again.

Aurora Teagarden is a beautiful young librarian with a passion for solving murders. After an exhaustive search for the perfect home, Aurora finally purchases her dream house, unaware of its murky history. As she prepares to move in, Aurora discovers that the family who once lived there mysteriously disappeared without a trace.

Aurora Teagarden is a beautiful young librarian with a passion for solving murders. After an exhaustive search for the perfect home, Aurora finally purchases her dream house, unaware of its murky history. As she prepares to move in, Aurora discovers that the family who once lived there mysteriously disappeared without a trace.

Internet sensation and old family friend of Aurora Teagarden, Poppy Wilson, has returned to Lawrenceton to start her new embroidery business. But not everyone is happy with Poppy's success when she turns up dead. To find the killer, Roe must follow the unsettling truths that lead her—into the path of the killer.